Every seat is filled by a friend. This
is the very first memorial in a new church. The beautifully
decorated stage with its flowers and sentiments is merely secondary
to a single photo on a pedestal. An older man, smiling at the crowd
that has gathered to remember a life fully lived. He is tall. About
six foot ten, I believe; judging by where my head stood while shaking
his hand every Sunday morning. I stand in the back for a lack of
seats, just another friend.
Music begins and pictures fill the
screen overhead. A newborn baby in his father's arms. A child
posing for his photo high atop Cadillac mountain, knickers held high
by a pair of suspenders. All of the images are black and white,
taken many decades ago. Tears begin to stream down faces as they
look at the passing memories, remembering the moments they captured.
The young boy in the pictures becomes a
man, married with children. Photographs of family Christmas's and
summer picnics. The man grows old until a final, lasting image
remains on the screen. A John Wayne type character standing in front
of his truck, the wind in his face. The music ends and there isn't a
dry eye.
Singing follows. Not mournful, grief
filled songs, but hope filled songs. They sing with an assurance of
a future greeting at a pair of gates. The tears on his aged wife's
face trickle down her cheeks to a smile below.
This has that vignette feel: we are plunged into the material without a long windup; we don't get a lot of shuffling around and unneeded explanation; we are left with a strong iimage that economically serves the purpose of a more conventional conclusion. Works for me!
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