The blacksmith compresses the billows
and the dim coals of the forge come to life. He puts on his gloves
and cloak. His tools are right where he left them. Unmoved, they
sit neatly right next to the anvil. The blacksmith retrieves a bent
metal shaft from a neighboring scrap shelf. The metal parts and
pieces look rusty and old. They are misshapen and broken, unusable
in their current state. The blacksmith doesn't see them as old or
broken, however. He sees potential.
The blacksmith nestles the old metal
rod under the hot charcoal. The fire burns brightly. It is almost
hypnotizing as it shifts and flickers, heating the metal rod burrowed
inside its heart. The fire purifies. It make the metal soft,
malleable, moldable, changeable. The blacksmith carefully pulls the
red hot metal rod from the furnace and goes to work.
Striking the iron over and over he
begins to shape the once hard and rigid alloy. The hammer pummels
the rod over and over. The blacksmith wipes his soot covered brow
and slides the rod back into the fire. He does this over and over,
compressing the billows; heating the furnace, molding the iron. He
forces his will upon the metal rod, a specific purpose in mind.
Like a conductor, he crafts the rod
according to his own vision. His anvil, his hammer, his tongs, his
forge; all his instruments. Like the metal rod here and now, these
tool had already bent. They had already been shaped and molded by
the blacksmith. Once resistant and cold, the fire had made them
pliable and weak. But the blacksmith folded them over and over,
strengthening them again. Now stronger. Now they were merely an
extension of the blacksmiths creativity. Once on the scrap shelf,
now with a purpose.
The newly fashioned metal, red hot from
the burning coals is plunged into a vat of cooled water. A billowy
plume of steam pours out, clouding the air, as the water bubbles and
hisses. The steel hardens, its final shape solidified. Shaped by
the blacksmith, its purpose sealed. A tool. The blacksmith smiles
and sets his newest creation down on the table. Down next to his
anvil, his hammer, his tongs, his forge. Once on the scrap shelf,
now in the hands of the blacksmith.
This reminds me of the climbing piece I just read--another very handsomely done and poetic prose poem tribute-to-smithing piece. The only think missing (and I think it should have been here) is a sense of what the blacksmith might be making from a junked shaft, what the new tool is. That would have allowed the reader to visualize a little (I confess that in the absence of guidance from you, I visualized the smith making a Bowie knife of Damascus steel....)
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